Cat Person

The moments where Fogel and screenwriter Michelle Ashford mine Margot’s interiority for laughs, including quick cutaways to imaginary outcomes, are among the movie’s best.

The film, laced with snidely funny dialogue and marked by a lack of big moments or revelations, is built out with moody cinematography, suggestions of threat, and unexpectedly biting humor.

...will set your teeth on edge and raise the hairs on the back of your neck, just as it should...