4.5 av 5 Kritikers samlade betyg • 2 recensioner
The excellent Davis and Fay Bainter's Oscar-winning turns give the picture spirit. But its class comes from Ernest Haller's gliding camerawork, Richard Haas's evocative décor, Orry-Kelly's opulent costumes and...
Especially when Davis's Julie wrecks a great ball, and her own life, by wearing a flaming red gown when unmarried women are expected to wear pristine white. It's an outrageouslygreat moment.
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