Wrong

...it’s strikingly pretty. It’s easy for viewers to get caught up in its mild pleasures, if they can acknowledge, Dupieux-style, that they’re doing it for no reason.

In "Wrong," Dupieux opts for "shallow" laughs — jokes without characters, subtext, or a tinge of truth. His gags are gags and nothing more.

Enough things here are momentarily amusing for Wrong to work as a weird, breezy comedy...

...it maintains its wry outlook and never quite erases the good will that its best moments inspire.

...is unapologetic art-house type cinema that displays everything Quentin does best, and is just another impressive reason proving why we need creators like Quentin Dupieux in today’s Hollywood scene.